Štátna príslušnosťSpojené štáty, Čile, Panama
JazykyŠpanielčina (Materinský jazyk), Angličtina (plynulý), Angličtina - americká (plynulý), Angličtina - britská (Základné znalosti), Nemčina (Základné znalosti), Taliančina (Základné znalosti)
Narodený1982, Panama, Panama
Hrací vek37 - 47
Veľkosť185 cm
Etnické typyLatino / Hispánsky, Multietnický
RezidenciaBerlin - Berlín (Nemecko), Florida (Spojené štáty), Berlin - Berlín (Nemecko)
Možnosť bývaniaSantiago (Čile), Panama (Panama), Munich - Bavorsko (Nemecko), Madrid - Madrid (Španielsko)
Pracovné povolenieEuropean Union, United States
Alternatívne kontaktné údaje:
Jazyky Španielčina (Materinský jazyk), Angličtina (plynulý), Angličtina - americká (plynulý), Angličtina - britská (Základné znalosti), Nemčina (Základné znalosti), Taliančina (Základné znalosti)
Dialekty Southern - American (prirodzený dialekt), Standard American (plynulý)
Akcenty Juhoameričan (prirodzený prízvuk), Karibik (prirodzený prízvuk), Latinská Amerika (prirodzený prízvuk), Španielčan (prirodzený prízvuk), Angličan (veľmi dobré), Mexičan (veľmi dobré), Američan (dobré), Argentínčan (dobré)
Tanec Bachata (veľmi dobré), Butoh (Japonsko) (veľmi dobré), Choreografia (veľmi dobré), Latinskoamerické tance (veľmi dobré), Merengue (veľmi dobré), Salsa (veľmi dobré), Tanečná improvizácia (veľmi dobré), Tanečné divadlo (veľmi dobré), Tanečný tréning (veľmi dobré), Africký tanec (súčasný) (dobré), Afro (dobré), Balet (dobré), Cha Cha Cha (dobré), Dancehall (dobré), Disco (dobré), Forró (dobré), Freestyle (dobré), Rumba (dobré), Tradičný africký tanec (dobré), Capoeira (Základné znalosti), Mestský tanec (Základné znalosti), Samba (Základné znalosti), Street Dance (Základné znalosti), Swingový tanec (Základné znalosti)
Výška hlasu / dabingový hlas Barytón
Hudobné nástroje Cajón (veľmi dobré), Africké bubny (dobré), Flauta (dobré), Perkusie (dobré), Bicie nástroje (Základné znalosti), Bongá (Základné znalosti), Charango (Základné znalosti), Gitara (Základné znalosti)
Šport Aerobik (veľmi dobré), Biliard (veľmi dobré), Joga (veľmi dobré), Karate (veľmi dobré), Plávanie (veľmi dobré), Tai Chi (veľmi dobré), Tai Chi Chuan (veľmi dobré), Basketbal (dobré), Bojové umenia (dobré), Bowling (dobré), Box (dobré), Cyklistika (dobré), Horský bicykel (dobré), Jogging (dobré), Motocykel (dobré), Pilates (dobré), Rafting (dobré), Vodné lyžovanie (dobré), Volejbal (dobré), Šerm (dobré), DL - Defense Lab / DNA Fight Science System (Základné znalosti), Fitness (Základné znalosti), Kajak (Základné znalosti), Korčuľovanie na ľade (Základné znalosti), Stolný tenis (Základné znalosti), Tenis (Základné znalosti), Záťaže (Základné znalosti)
Vodičské preukazy / iné povolenia vodičák
Ďalšie zručnosti Učiteľ tanca
Hrací vek 37 - 47
Veľkosť 185 cm
Postava Atletic-atletic
Hmotnosť 80 kg
Farba očí hnedá
Farba vlasov hnedá
Účes stredne dlhé kučeravé
Ochlpenie na tvári Brada
Dvojčatá Nie
Etnické typy Latino / Hispánsky, Multietnický
Tetovanie Áno, nie je viditeľný
Piercing Žiadne
Okuliare Nie
Jazvy Žiadne
Andres Garcia
Réžia
Člen ansámblu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monológ
Dráma, Monológ
Malucha Pinto
Réžia
Hlavná úloha
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Réžia
Vedľajšia úloha
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Réžia
Vedľajšia úloha
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Réžia
Hlavná úloha
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Réžia
Juan José
Hlavná úloha
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Réžia
Lina
Stála hlavná úloha
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Réžia
Hlavná úloha
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Réžia
Ivanov
Hlavná úloha
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Réžia
Celovečerná úloha
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Réžia
Armando
Vedľajšia úloha
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Krátky film
Antonia Renard
Réžia
Josué
Hlavná úloha
Nicolás Acuña
Réžia
Antonio
Epizódna úloha
Matthias Glasner
Réžia
Aguti
Vedľajšia úloha
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Krátky film
Antonia Renard
Réžia
Josué
Hlavná úloha
Gonzalo Diaz
Réžia
Armando
Vedľajšia úloha
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monológ
Dráma, Monológ
Malucha Pinto
Réžia
Hlavná úloha
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Réžia
Vedľajšia úloha
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Réžia
Vedľajšia úloha
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Réžia
Hlavná úloha
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Réžia
Juan José
Hlavná úloha
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Réžia
Lina
Stála hlavná úloha
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Réžia
Hlavná úloha
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Réžia
Ivanov
Hlavná úloha
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Réžia
Celovečerná úloha
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Réžia
Člen ansámblu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.